Orhan lets go of her hands, moves them to her waist. His fingers rest at the place were her stomach ends and her hips begin; a place, she’s always thought, that marks where touching above is gentlemanly, and below is sexy. It’s the perfect place, she thinks, for him to linger for a while, between chivalrous and seductive.
The music changes, a slow beat, its rhythm lulling, almost soft. The kind that makes her step gently from one foot to the other, a slight shift in weight rather than taking her foot the ground. Jeroen in front of her falls in pace with her, while Orhan moves his knees; she feels his thighs bump softly against the back of her own.
The music starts to seep under her skin. Her pulse falls in with the beat, or so it seems, for it throbs right through her, from the base of her neck to her clit. The lights too flash in time, and the three of them, together, sway like they are connected by more than clutching hands and sensual desire. For a moment, she closes her eyes, and she enjoys the warmth of the two men, and the surrounding sound.
When she opens them, Jeroen tries to move closer, but she shakes her head, lolling it in time to the music.
“Take it slow, take it slow,” she says, exaggerating her lips so he can read them, so she doesn’t have to shout.
Jereon rolls his eyes, but with humour, and keeps that tiny distance that would take only a nudge from someone passing by to close. Though it is like they are in a bubble, enclosed and separated by a membrane of light and sound waves from the other dances, moving in time with them, but not able to touch.
Next: 47. Undulate
Image found on flickr, by Brandon Fick, used under the Creative Commons License.
Mirrored from jacquelinebrocker.esquinx.net.