jacquelineb: (stark raving sane!)

More Smut for Chocoholics

Ah, chocolate. The sensuality of it has long been exploited by artist. So following in this tradition are the two ‘chocoholic’ anthologies: Smut for Chocoholics, and now More Smut for Chocoholics.

My story, “Eclair”, features that most delicious item the chocolate elcair. It took me a couple of goes to get the story right. I knew I wanted a young female connoisseur of the pastry, and I knew I wanted an older, male experienced pastry chef/chocolate-tier, and it would involve some kind of punishment for some kind of transgression. The idea of my character winning something like a golden ticket to a prestigious party allowed reference back to Roald Dahl’s classic Charlie and the Chocolate Factory, but there is no Oompah Loompah in sight in this tale.

(Has that just tempted someone to right Oompah Loompah smut? I kind of hope it will.) 😉

Oh, one last thing: my character’s Melanie and Herr Bauer are in no way shape or form I way totes promise is based (visually) on a certain pair of actors who appear in a certain Tarantino film. Nope. In no way whatsoever…

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Mirrored from jacquelinebrocker.esquinx.net.

jacquelineb: (stark raving sane!)

Strange Appetites

You know, I never considered myself a horror writer. But my editors at Forbidden Fiction think otherwise, and so included two of my stories, “Oasis Beckoning” and “The Ravening Season” in this anthology, Strange Appetites. 😉

So just in time for Halloween, you can read 11 dark, bizarre tales. Be warned: this is erotic horror, not paranormal erotic romance. In fact, I don’t think romance very much comes into it here. If you are after stories that embrace the darkness rather than the happily ever after, this anthology may well be for you.

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Mirrored from jacquelinebrocker.esquinx.net.

jacquelineb: (stark raving sane!)

Fifty Shades of Green cover

A Horned God in Her Garden— “Phallus Impudicus”

I’d like to welcome Rebekah Shardy to the blog today to talk about her story “Phallus Impudicus” from Fifty Shades of Green. Over to you, Rebekah!

As a married middle-aged woman, I hiked alone in wild places and sometimes felt the unexpected flush of raw desire. This inspired me to write about the lonely divorcee, Carol, whose bed (and flower beds) have been neglected far too long. Despite following the conventional female script, her once-rambunctious gardens, both real and metaphorical, are withering. What is a woman to do?

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Mirrored from jacquelinebrocker.esquinx.net.

jacquelineb: (lady in green)

I first read Nikki Magennis a few months ago when I picked up Best Erotic Romance (edited by Kristina Wright, see here to purchase). Her story, ‘Dawn Chorus’, which closed that anthology, was one of, if not the, standouts. So when Nikki put a call out for reviews (and a free copy) of her self-published anthology Crooked Hearts, I couldn’t resist.

Crooked Hearts cover

And I wasn’t disappointed. Nikki writes elegantly and poetically, a deep sense of both eroticism and romance, and also just the right amount of the grit of reality that doesn’t revel in it, but acknowledges that it is there and affects the way characters perceive the world.

There are touches of bondage and restraint (a creative, theatrical take in ‘Catch Me If You Can’) and submission to pain, as well as the more overt depictions (‘Under His Hand, I Blossom’ especially, an intoxicating D/s story on a mountain hike), and always, there are deep, intense connections between the characters, bonds forged in only a few sentences. Also present are the deeps aches of want and desire – the opening story ‘At the Break of Day’ especially brings this out, as does ‘St Hunna the Holy Washerwoman’, which also ventures into magical realism without quite crossing into the fantastical.

Erotica it definitely is, but it is not all idealised situations and sex. Characters live in intense relation to each other – the neighbours in ‘Dawn Chorus’, the couple in ‘St Hunna’, even the doctor and waitress in ‘Save Me a Bite’ who encounter each other in a diner. The intensity was only increased by Nikki’s use (for the most part) of first person POV. There is the sex that doesn’t happen, the sex that we want and don’t get, as well as the moments of finding each other. There is also the humour – Dublin-set ‘Picking Apples in Hell’ is particularly funny, and ‘Night Song’, told entirely in dialogue, uses the device to great effect.

I like an anthology that places its stories conscious of the relationship to the others. Crooked Hearts begins with ‘At the Break of Day’ and ends with ‘Dawn Chorus’, which seems very fitting, not only in the time frame of the early hours of the day, but also the desperate need of the first piece contrasted with the deep satisfaction found in the last.

What can I say? I thoroughly recommended Crooked Hearts, and am looking forward to reading more of Nikki’s work.

Crooked Hearts can be purchased at:

Read more about Nikki Magennis and her work at her author website.

Mirrored from jacquelinebrocker.esquinx.net.

July 2015

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